翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Lerner & Loewe : ウィキペディア英語版
Lerner and Loewe

''Lerner and Loewe'' were the team of lyricist and librettist Alan Jay Lerner and composer Frederick Loewe, known primarily for the music and lyrics of some of Broadway's most successful musical shows, including ''My Fair Lady'', ''Camelot'', and ''Brigadoon''.
==Partnership==
Alan Jay Lerner and Frederick Loewe, more commonly known as Fritz, met in 1942 at the Lambs Club in New York City〔http://www.holeintheweb.com/drp/bhd/LernerLoewe.htm〕 where, according to Loewe, he mistakenly took a wrong turn to the men's room and walked past Lerner's table. Having recognized him, he asked if Lerner wrote lyrics and Lerner confirmed he did.
Lerner claimed to be the more dominant member of the partnership, which is supported by interviews with their close friends, saying that he would throw out the first two melodies that Loewe would write to any song even if they were both perfect. He said he always knew, with a little pushing, Loewe was capable of greater work. Loewe also worked perfectly with Lerner, who would agonize for weeks over a lyric. Unlike other collaborators Lerner would work with, Loewe was the most understanding of the time Lerner needed for his lyrics and would never pressure him to complete the work.
Their last collaboration came with the 1974 musical film ''The Little Prince'', which received mixed reviews but was lauded as one of the team's most cerebral scores.
Regardless of their professional relationship, Lerner and Loewe were close friends and remained so until the end of their lives. Their final public appearance was in December 1985, when they received a Kennedy Center Honor, six months before Lerner's death.
Lerner said this of Loewe:
"There will never be another Fritz...Writing will never again be as much fun. A collaboration as intense as ours inescapably had to be complex. But I loved him more than I understood or misunderstood him and I know he loved me more than he understood or misunderstood me."〔Lerner, Alan Jay.("Chapter"Camelot" )''The Street Where I Live'', Da Capo Press, 1994, ISBN 0-306-80602-9, p. 247〕


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Lerner and Loewe」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.